Calling from a Changtang Steppe
[2014, India] site-specific performance, sound installation
As part of Earth Art Project 2014, I made music with children of nomadic families from the Himalayan mountains by documenting signs we received from the earth and the sky. I worked at two schools in Ladakh, one at 3800 meters high altitude in Nang village, and another at 5000 meters in Puga in the Changtang region. At each school, I stayed for 2 weeks and conducted workshops with the school children to make music through dialogues with their environments. By creating instruments from found objects and making use of natural acoustic phenomena such as the echoes from surrounding mountains and the whistling sound of strong winds, I composed site-specific music performances entitled “Bilungpa’s March” in Nang and “Calling from a Changtang Steppe” in Puga, which were performed by the children. In addition, I created sound installation pieces using recordings from the workshop processes, which were exhibited at the schools.
for children’s voice, wind organs, and self-made instruments, premiered at Nang Middle School and Nomadic Residential School Puga, in Ladakh, Jammu & Kashmir, India.
A Song Pouring
[2009, The Nederlands] audience participatory sound and visual installation
Commissioned by Camera Japan Festival, I created an audience-participatory audio-visual installation entitled “A Song Pouring” with Takako Hamano (visual artist) for the festival’s “Kappalai” group exhibition. We created constantly shifting soundscapes with recorded interviews at a historical ship, and later in a historical mansion, and invited the audience to pour songs from their secret memories into the live space. The piece questioned the ownership of memory at the borders between what might be considered “private” and “public.”
Havenmueum, Rotterdam / Siebold Huis, Leiden, the Netherlands.
© Tomoko Momiyama